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Aboriginal
Prints And Printmaking
part 1
An introduction by Roger Butler, Senior Curator of Australian
Prints, National Gallery of Australia.
The first prints by Aboriginal and Torres Strait
Islander artists were not produced until the late 1960's, and
it was not until the 1970's that a sustained interest in this 'new'
technique developed. Originally the impetuous for experimentation
was from non-indigenous art advisors, and later, publishers of limited
edition prints.
For many Aboriginal artists the use of
printmaking methods was like an extension of traditional practice.
The engraving of wood and linoblocks is a similar process to the incising
of designs on stone or the surfaces of wooden sculptures and utilitarian
objects. The sequential overprinting of colours in screenprinting
is paralleled in the way traditional bark paintings are realised,
and the same chalky opaque colours can be obtained.
Concurrently with this development in traditional homelands was
the emergence of a generation of urban-based Aboriginal artists
who had trained in Western art traditions and techniques. Art schools
and print workshops also began to invite Aboriginal artists to participate
in their programmes. More recently print workshops have been established
by a number of Aboriginal communities.
Since the early 1980's prints by Aboriginal artists have been widely
exhibited both in Australia and overseas. The success of exhibitions
such as New Tracks Old Land and the marketing of works through The
Australian Art Print Network has vastly increased the accessibility
and public appreciation of prints by Aboriginal artists.
Prints by Aboriginal artists are no recognised as being the most
dynamic art being produced in Australia. This new catalogue will
undoubtedly increase the audience for Aboriginal prints.
Roger Butler,
Senior Curator of Australian Prints,
National Gallery of Australia.
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DENNIS NONA CURRENT SOLO EXHIBITION

Sesserae: New Works by Dennis Nona


Paris, London, Sydney, Brisbane
Dennis Nona is widely acknowledged as one of, if not the most, important living Torres Strait Islander artist.
This exhibition of installations, limited edition linocuts, etchings and cast bronze sculptures showcases the artist's most recent work.
PARIS
The Australian Embassy
6 April - 8 June, 2006

LONDON
Rebecca Hossack Gallery
35 Windmill Street,
LONDON
(Dates TBA)

SYDNEY
31 Lamrock Avenue
BONDI BEACH, NSW
30 March - 16 April, 2006

BRISBANE
Dell Gallery, Queensland College of Art
BRISBANE, QLD
3 June - 10 July 2005

OTHER EXHIBITION VENUES
Other Australian and overseas venues and dates to be announced.


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Secondary
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ago. Many are rare, eminently collectable works by some
of the most senior and acclaimed Aboriginal artists.
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